I have more posts on running Castle Xyntillan on the old to-do list, starting with one on our single delve per session doctrine. But I realized there are a few basic rules details I’d like to jot down here so I can then refer to those. Specifically, on time and movement. So we are picking up the thread on the Hackbut homebrew rules series. In the rulebook, we have arrived at the chapter titled “playing the game.” The very first section, which precedes time and movement, is on experience. Let’s get to it.
Sources of experience
All XP in the game is gained from “looting stuff.” Treasure must be returned to a place of safety for it to count towards XP. Mundane items that are kept for use rather than sold do not net XP. Magic items do not net XP, ever. Each gold piece of treasure is worth 1 XP.
Side note on monster XP: I chose not to hand out XP for defeating monsters because I knew I wanted to disincentivize combat. An added benefit is that it reduces bookkeeping on my part. If I were to do monster XP, I would simply hand out 100 XP for each monster HD. In any case, not giving out monster XP has worked fine so far. Any slowdown in advancement is made up for by generous carousing rules, which I will detail some other time.
Dividing experience points
In practice, we tally treasure and commensurate XP at the end of each session. Players are then free to divide the XP between all characters that participated in that session’s expedition as they see fit. Hired help usually does not receive XP, unless they are classed NPCs, in which case a half-share of XP is mandatory.
Side note on dividing XP: Just letting players divide things however they see fit adds a bit of strategizing on a group level. They can choose to have certain characters advance quicker if they figure it would be helpful for the party as a whole. For example, getting that magic-user to the next level where they gain access to more powerful spells. It also adds a small amount of politics to the proceedings, players will petition others for giving more XP to their character. This is fun for our group and differences are usually settled amicably. But I would only recommend this approach to groups with a lot of trust between players.
Characters cannot advance more than one level in a single session. Any XP that exceeds the second level above their current one evaporates, and the character’s XP is left one short of the next level.
Finally, I also detail rules for multi-classing in this section. These are basically the same as described in Original Edition Delta. The only change I made is that I lowered the minimum score required in the new class’ primary ability to 13.
In practice, we have seen less than a handful of multi-classed characters so far. I am left wondering why. Perhaps the slow advancement is just not worth the extra abilities for the majority of the players in our group. If I were playing I know I would be all over a fighter/magic-user combo. Anyway.
That’s it for the rules on XP, advancement and multi-classing. Nothing shocking, I know, but at the same time, this is the little engine that makes the whole game run. A simple idea which has had far-reaching consequences for the hobby and beyond.
The next post will be on time, and possibly movement thrown in at the same time.
My current campaign, Planet Karus, includes a wilderness for players to explore. I have a keyed map going, but I continue to tinker with the method for constructing it. One thing I was left dissatisfied with was that I had no way to determine if there should be monsters or treasure in a ruin. (For generating ruins themselves, I am partial to the Ravaged Ruins section in Ready Ref Sheets, and Ash Adler’s Random Landmark Generator.)
With no method ready to hand, I decided to look at Thasan, a hex-crawl by Melan, whose hex-crawl guide is also the basis for how I populate a map’s hexes with ruins and lairs in the first place. So I looked at all the ruins on the map and key and counted the presence of monsters, treasure or both. The following table below shows the numbers.
Monster & Treasure
Number of Thasan hex-crawl ruins with a monster, treasure, or both
If we translate this to a handy 1d6 roll, we get the following table.
Monster & Treasure
Table to determine presence of monster or treasure in hex-crawl ruin
Nice and simple. Now I can be confident I will at least get the ratios “right”. The remaining question is what tables to go to for determining the amount of treasure, and monsters. But that’s a matter for another time.
Another year, another annual review. This marks the third full year of publishing on this website. Let’s hope there are many more yet to come. (Previous annual reviews: 2020, 2021.)
The previous two years were marked by the global pandemic. This year was characterized by our collective emergence from that strange and challenging time and the resumption of what I guess can be called normalcy.
Most COVID measures in this country were lifted by the end of February. I was worried that increasing competing activities would end our weekly roleplaying game. This was luckily not the case, as will become clear. We settled into what I think is a “new new normal” or the old normal, one with fewer plays but still enough to sustain a satisfying campaign.
Table of contents:
What we played: Castle Xyntillan, Planet Karus, MOTHERSHIP: Bloom, boardgames.
Play statistics: sessions, attendance, character deaths, experience points.
We played a fourth and final season of Castle Xyntillan from mid-January to mid-April numbering seven sessions in total. These are all written up here on the blog. (See the index.) It was a very satisfying conclusion to a very memorable campaign, one that taught me a lot about how to run classic D&D and also gave me the insight and the confidence to start creating my own material. This brings me to the next thing we played.
We went on a bit of a hiatus as I finalized preparations for a new campaign named Planet Karus. Its setting is homebrew sword and planet inspired by other planets, including Eternia, Skaith, and Pandarve. For the rules, we continue to use Hackbut, with some setting-specific tweaks sprinkled on top. My ambition is for this to be the campaign world where I can run classic D&D games until the end of my days. So one goal was to keep it compatible with baseline classic D&D, to make it easy to develop things using stock tools out there (like the original book’s treasure tables). But to use a setting that resonates with my younger self’s first encounters with fantasy, which is not EDO, but decidedly more science-fantasy, horrific and weird. (This approach was inspired, among other things, by this great now-gone blog post by Robert Parker.) The idea is to just reskin classic D&D where necessary. To basically reinterpret classic D&D’s implied setting through a sword and planet lens. (More on Planet Karus can be found on the campaign’s site.)
Anyway, we played seven sessions of Planet Karus from early September to early December. Let’s call it Season 1. I have not written those up on the blog here, contrary to my stated intentions in the previous annual review. Writing up CX was fun and useful but also quite a bit of work. The posts found an audience because they were about a published module. The same does not apply to my homebrew campaign even if I at some point publish the materials here (as was previously suggested by commenter DC.) I am keeping notes, of course, if only for my own reflection and analysis. But those are too rough for public consumption. It will probably stay that way. It makes running the game more sustainable, and I can focus my blogging energies on other types of posts.
We concluded the year’s roleplaying with frequent player HB taking over the game-mastering reigns from me for another MOTHERSHIP miniseries. This time we used the latest preview versions of the first edition rules and the module BLOOM by Daniel Hallinan. I’ve enjoyed playing through this so far. The module gave me some good underwater sci-fi vibes in the vein of The Abyss (and, I am told, also Underwater) as well as bio horror along the lines of Annihilation (novel, film).
We played two sessions in December and will pick it up again in January to finish up in another session or two.
MOTHERSHIP as a system is fine. The changes made to the classes for the new edition are definitely improvements over the original version. But I continue to feel like the skill-tree design is a poor fit for a game that purports to be “old school” in its sensibilities. I notice players tend to look at their character sheet when they are faced with a problem, looking for something they can roll against to solve it rather than engaging with the fiction directly. Also, at character creation, choosing skills is still a significant speed bump, as it invites planning ahead and offers a large number of choices at the outset. Better to randomize them, like we do with magic-user spells in classic D&D.
We sat down eight times this year for face-to-face board games on the last Friday of the month. BoardGameGeek tells me these were the games we played in order of the number of plays.
King of Tokyo and Skull are quick games that we like to break out at the end of an evening when we are too tired for the big stuff, but we do not want to go home just yet. “Tokyo” is always a riot, and Skull is a great shortcut to some of the bluffing kicks one also gets from games like poker.
Dragomino is a kids’ game I acquired for my boys (who are now getting into tabletop gaming themselves, an exciting development.) It is surprisingly appealing even for adults as well.
7 Wonders mainly sees table time when we have a big turnout, and some of the other meatier games’ player limits are exceeded. I have a love-hate relationship with this one, I find the engine-building aspect of it kind of tedious, but I have yet to find a satisfying replacement.
This brings us to the top three.
Quantum I acquired second hand late 2021. I have been looking to add it to my collection ever since my game design consultancy days when I was acquainted with its designer. It is quite good and strikes a nice balance between quick-to-play and crunchy. The way it uses chunky six-sided dice is elegant and satisfying.
Galaxy Trucker I received for my birthday in spring. Another one that had been sitting on the list for a long time already. Ever since playing Space Alert, I have been a Vlaada Chvátil fan. Galaxy Trucker has recently had a revamp, and the components are all very nice. I also love how, as is usually the case with Chvátil games, the how-to-play is integrated with the rulebook. This game was an instant hit with the group. It is very funny and plays really fast, but it still has a satisfying amount of crunch. It feels like riding a rodeo on a chaos-generating engine that is quickly tearing itself apart.
And finally, my personal favorite, Inis, which we now play with the Seasons of Inis expansion so that it allows for five players. I adore this game. It looks gorgeous, plays really quick, scratches that “dudes on a map” itch in a way that is not obvious, and does not lead to analysis paralysis like its close contender Kemet does. Highly recommended.
Moving on to some data and analysis of how often we played, what the attendance was like, and the two most important data points in the D&D resource economy: character deaths and experience points. What follows is limited to our classic D&D roleplaying sessions, which continue to take place online.
We had a total of 16 sessions in 2022 (down from a whopping 37 in 2021). That is an average of 1.3 sessions per month (SD 1.2). In 2021, by contrast, the average was 3.1 (SD 1.5). This can be explained for the most part by the long break between the final Castle Xyntillan season and the new Planet Karus campaign kicking off. If we removed the months when no plays happened from the data, we get an average of 2 sessions per month in 2022 (SD 0.8) versus 3.4 in 2021 (SD 1.2). Still lower, but not as dramatic a drop as it would first seem, and it can largely be explained by the fact that one Friday a month is now devoted to face-to-face board games.
Our group still consists of seven players (eight, if you include the undersigned). Two players did not participate in any of our roleplaying at all (they did join in on the board games occasionally). This year we had an average of 2.6 players per session (SD 0.7). That is down from 3.7 (SD 1.4) in 2021. However, in the last season of 2021, that number is 2.6 (SD 0.7). So things are staying pretty stable. Barring significant life events that impact the ability to participate, this looks like the “new new normal” for our group for the foreseeable future. As in the previous year, the top three players are once again responsible for 66% of attendance, but players did trade places.
And now, for the statistic that all classic D&D referees care about the most: character deaths. It is interesting that I now get to compare a module written by someone known for their grasp of classic module design, and my own home campaign, in terms of deadliness (as well as XP, for which see the next section). Just to reiterate, rules and procedures have remained basically the same: My homebrew rules Hackbut, which largely has parity with OD&D, B/X D&D, and its retro-clones.
Castle Xyntillan season 4: Seven sessions, zero player-character deaths, and 11 retainer deaths, for an average of 1.6 deaths per session (SD 2.1). The single deadliest session was #37 in which five retainers died when the company breached the Crusaders’ Tomb, went head-to-head with undead crusaders, faced off against the Giant Snail Guardian, and pilfered the treasury.
Planet Karus season 1: Seven sessions as well, four player-character deaths, eight retainer deaths, for a total of 12 deaths, and an average of 1.3 per session (SD 1.5). The deadliest single session was #4, in which the same player lost two characters, and two retainers died as well, during a foray into The Balok (the campaign’s current tentpole dungeon). One fighter was killed by a volley of gremlin javelins. (Gremlins are Planet Karus’ equivalent of kobolds.) As a result, a porter failed his morale check and fled back out of the dungeon, triggering a trap on the way out. The same player’s second fighter later stepped on a large venomous snake while heading back out of the dungeon and failed his save versus death. The last retainer also failed their morale roll at this incident and fled into the dungeon’s darkness to be captured by boogieman slavers (read: hobgoblins). (The party later declines to pay the ransom.)
So, it looks like Planet Karus is about as deadly as Castle Xyntillan, but we see more PC deaths on Planet Karus. This can be explained by the fact that the number of monsters and their deadliness is about equal, but PCs in Planet Karus are just starting out and so have far fewer hit points to rely on when things go south.
Moving on to the flip side of character deaths: The sweet rewards reaped for braving danger in the form of experience points. I should point out that I only reward XP for treasure recovered at the traditional rate of 1 GP = 1 XP. (Although in Planet Karus, we use a silver standard for flavor reasons, the game is balanced accordingly, basically as Delta recommends here.)
Castle Xyntillan season 4: The company gained 14,800 XP, all in a single haul in the very last session when they ransacked the suite of the countess. That amounts to an average of 2,114 XP per session (SD 5,594). By comparison, in the previous year’s gaming, they collected 132,796 XP, on average, 5,533 XP per session (SD 5,281). A pretty big drop which can be explained by the fact that by this point, they had cleared out most of the easy-to-reach treasure. The campaign ended with the company on average at level 4.4 (min 1, max 6, SD 1.9). Between the active characters, they had collected 126,926 XP.
Planet Karus season 1: Here the picture is quite different. So far, the party has collected 7,071 XP in total, averaging 780 XP per session (SD 1,830). Am I being too stingy? I know there are big hauls tucked away in the tentpole dungeon, but players have been repeatedly repelled by the gremlin tribe that has made the first level their home base and appear to have lost interest in making a concerted effort to oust them. This dungeon has been set up more as a classic assault-style scenario in the vein of the original G series of modules. It is something the players are less accustomed to, and it is certainly a very different approach compared to Castle Xyntillan.
The single biggest haul (5,000 XP) was actually from a wilderness adventure where they cleaned out the treasury of a clan of swinelings holed out in a somewhat remote swamp. (Swinelings are the Planet Karus equivalent of hobbits. Don’t ask.) This may have taught them the “wrong” lesson.
The current total XP for the party is 5,631. The average level is 1.3 (SD 0.5), although 2 out of 7 characters in the active stable have managed to reach level 2. I guess I will not change anything about the treasure distribution for now, but if I place new treasure, I will err on the side of making it easier to reach.
So much for play statistics. Let’s move on to the games I acquired and then wrap up with some blogging numbers.
I will not account for every acquisition that sits in my DriveThruRPG account. When I went through the 2022 purchases, I was kind of shocked by the volume. I will call out some notable items instead.
The book I actually pulled things from, technological items in particular, is Hyperborea 3e. I love the vibe of the items in this book, and they can be transplanted easily into any classic D&D rules framework.
(I should also mention Warriors of the Red Planet, Xuhlan and Carcosa; three books that I have drawn significant inspiration from for Planet Karus, but which I had already acquired some time ago.)
I also got the Hill Cantons Compendium II specifically for the white wizard class in there, which I adapted for my own Planet Karus “celestial wizard” NPC class (there are no clerics in this setting, so I needed an alternative source of magical healing).
I also received some physical books from kickstarters I backed. Knock! Issue Three was once again fun to leaf through and sits nicely next to the first two editions. Through the Valley of the Manticore I liked for its solid art and compact yet comprehensive design. And Into the Odd Remastered is a refreshing example of what can be achieved by a formally trained graphic designer when they take a stab at a game book.
On the board games front, I managed to limit myself to two acquisitions, one for my birthday and one for Christmas. My shelf space thanks me. These were the aforementioned Galaxy Trucker, and Power Grid, another game I have played in the past but was still missing from my collection of classics.
I did way less blogging this year. Seven Castle Xyntillan reports and two entries into the new “Running Xyntillan” series (on magic swords, and on downtime). That’s nine posts versus 33 in 2021. A big drop. A lot of my creative energies went into completing Planet Karus materials instead. The first note I wrote towards this when I was still following the Gygax 75 framework that I would later abandon dates from 29 August 2021.
My writing energies were otherwise pretty depleted by a lot of heavy lifting on my Ph.D. labors. I will have to complete my thesis in the upcoming year, so it is unlikely I will have a lot more room for blogging. But I will try to hit about a post a month.
On to some readership statistics: The blog had 3,896 views and 1,108 visitors. In 2021 the numbers were 3,519 and 1,188, respectively. So about the same despite way fewer posts. This can be explained by those Castle Xyntillan play reports being of enduring interest to people who are (considering) running it themselves.
The top sources of traffic are search engines (329 views) and Reddit (191). These are followed by a bunch of classic D&D blogs: Beyond Fomalhaut (run by Melan, the designers of Castle Xyntillan, 91 views). Twitter has yielded a mere 23 views. The final referrers I will mention are A Distant Chime (home to a great Castle Xyntillan campaign write-up, 16 views), Tales of the Rambling Bumblers (Joshua was kind enough to link to an old post of mine about ability checks, 11 views), and DIY & dragons (11 views).
Okay, let’s wrap this thing up with a reflection on last year’s resolutions and make some new ones for this year.
Last year’s resolutions
2022’s notable achievements include bringing our Castle Xyntillan campaign to a satisfactory conclusion and starting up the new Planet Karus one, which, as planned, is indeed so far 100% homebrew.
I also did manage to get Quantum to the table, but not my other acquisition from back in 2021, Tigris & Euphrates, which I will have to amend soon.
Blogging-wise, I did not continue writing play reports and also did not continue the series on Hackbut. Reasons for the former, I have already addressed. I might revive the Hackbut series, but probably not by continuing to go through the rules section by section.
Finally, we ended up not adding any new players to our group, although I did ask around and got some enthusiastic responses from potential candidates. This year I hope to actually get them to join in.
And finally, here are some new year’s resolutions: We will finish up the MOTHERSHIP: Bloom miniseries. Then we will pick up the Planet Karus campaign again, and I hope to run 2-3 seasons this year. One in winter, one in spring, and one in the fall. Maybe we can hit 20+ sessions this year? That would be great.
We will obviously also continue our last Friday-of-the-month board game nights, of course. Those are always great.
Blogging-wise, as already mentioned, I hope to post maybe once a month this year. Who knows if I will actually manage that. But this monster-size annual review is at least a solid start.
And finally, a “dream” I’ve had for some time is to get together physically with the group and play D&D for more than a few hours but do one of those marathon sessions we used to always do over the weekend when we were teenagers. Maybe rent a holiday home? It would be great to play face-to-face again sometime. Roll physical dice, scribble maps, and stain character sheets with crisps-soiled fingers.
Finding the right balance between downtime and dungeon delves took me a while. At first, I tried sticking to the “keep town boring” adage and skipped over it entirely. But the book does have a nicely outlined home base, Tours-en-Savoy, which hooks into the castle in various ways. However, my players were not inclined to “go exploring” to see what was there. I had to figure out a way to make the town gameable for them without overshadowing the dungeon delves by taking up too much time at the table. Following is what I ultimately landed on. Briefly, it comes down to this:
A strict one-delve-per-session regime
A fixed amount of in-game time that passes between sessions
Player downtime actions resolved as much as possible between sessions, using chat
Automating much of the probabilities in the book’s town section and pushing them to the players over chat before each session
Similarly, automating and posting the availability of retainers and specific retainer stats
A menu of town actions that is used as a player aid at the start of each session
More details on each of these elements are below.
We play once a week online, and each time a couple of players from a modest pool show up. I insisted on a relatively strict one-delve-per-session regime to make this easy to manage. I then further figured in-game time between expeditions would also pass at a predictable rate. The book states getting to the castle from town is a two-day trip. So two days to get there, a couple of in-game hours to make a foray, and two days to travel back means five in-game days for each expedition. Make it a week. Then another week of downtime passes between those expeditions. So each session, the game calendar advances two weeks unless players decide to do something that eats up additional time, like magical research. In which case, we simply increase the calendar further.
Speaking of the calendar, I used a real-world calendar of Switzerland generated on . We began to play in 1525, which I picked for its political climate and technology level. Early reformation, Italian Wars, it all felt right. I learned from correspondence with Melan that he had a late sixteenth-century timeframe in mind while writing the module. But that’s nitpicking.
For each session, I would just mark off the date of the expedition. That made it easy to determine when upkeep was due. We use the rule in the original game: 1% of XP in gold each in-game month. Since all characters live in Google Sheets, it was trivial for me to create an auto-updating tally of XP for the entire stable of characters. Upkeep is just paid as a lump sum for the whole company.
Tours-en-Savoy has quite a few events that trigger on an n-in-6 chance. The thing is, I want players’ encountering these to be independent of them actively stating their visit to a particular location. Instead, I assume they make the rounds during the week or more between expeditions and encounter anything prompted by those probabilities.
To streamline it all and move most of it into the time between sessions, I created a Google Sheet that does all the die rolls in one go. It spits out a copy-paste-able bit of text I can massage ever so slightly where needed and post in our Discord server’s #downtime channel.
To make this work, I copied over the random curios table from the book, the treasury, and the rumor mill. For potions, I went with the Swords & Wizardry Core list and adjusted the costs based on the price of a healing potion in Castle Xyntillan. I also add in the available retainers (see below).
After posting the week’s downtime update, players can act on things over chat in Discord or wait until the next session. We handle things in the first 20-30 minutes of the session before moving on to the dungeon delve proper.
Castle Xyntillan contains an ingenious rules module for retainers published initially in Beyond Fomalhaut #1, called “Morale & Men.” However, the procedure for determining the availability of retainers is quite involved, requiring many die rolls. Dreading the idea of doing this at the table, I once again converted it into a Google Sheet that produces a bit of copy-paste-able text. As a bonus, I also created a generator for the specific retainers’ names, loyalty scores, and quirk (which uses the table taken from the book). For names, I went with some pseudo-Swiss names pulled from .
I simply re-roll availability for each session. The only wrinkle I added was to roll with “disadvantage” if retainers had been killed in the previous expedition to reflect the bad reputation the company had acquired. Retainers who had been hired on the last outing and did survive would be automatically available again for the next one.
To make the town more gameable, I created a one-page summary I screen share with players as a kind of menu at the beginning of each session. This removes the need to go through an involved sequence of roleplaying every session.
It includes buying equipment, hiring retainers, carousing, healing, and getting rumors. It also covers the identification and purchasing of potions and magic items in more detail.
This succinct overview enables players to be more proactive in resolving some of the usual things they want to do between expeditions. In some cases, they can handle it without me having to mediate as a ref.
So, putting the above all together, here is the procedure I would follow for downtime:
Generate downtime events
Generate retainer availability
Combine, edit, and post to Discord
Resolve any player-requested downtime actions in Discord
During a session, before the expedition:
If applicable, charge the company for their upkeep
Resolve any remaining player downtime actions
During a session, after the expedition:
Tally XP from treasure (we did not do monster XP), and let players divide as they see fit among PC expedition members
If desired, resolve carousing
As shortly as possible after having played, outline a play report, mostly from memory
Write out the play report as a blog post, publish, and share
Update records with the fallout from an expedition where necessary
Since wrapping up the Castle Xyntillan campaign I’ve been kind of busy with work, then summer happened. And now I have emerged out from under a deadline and so here then finally is another blog post. We have recently kicked off a new campaign, Planet Karus, which I will share more about soon, but first I have a few more posts on Castle Xyntillan planned, focusing on how I ran the game: methods I developed, problems I solved, that sort of thing. Hopefully it is of some use. To start things off relatively manageable, I will talk about the magic swords. This was inspired by a recent comment left by Michael.
Here’s the issue: Castle Xyntillan has several intelligent magic swords littered throughout. The treasury (page 122-123) lists seven in total. In all cases, an EGO score is included, but, somewhat curiously, no intelligence (INT, excepting the wonderfully curious Rabbit Sword). Furthermore, Swords & Wizardry, the OD&D retroclone for which Castle Xyntillan is nominally written, has no rules for how to deal with intelligent swords. In my case, I cared about two things: how do I determine if a sword is able to communicate with its wielder (and in which fashion), and how should I read the EGO score for purposes of what OD&D calls “egoism” and B/X (the expert set specifically, on page X47) “control”.
Back in November 2020, after a session in which I had to improvise sword control on the spot with unsatisfactory results, I asked Melan about this via email, and he shared that in fact, they were using Hungarian retroclone Kazamaták és Kompániák to playtest the module. Gaps in the rules they would fill out using OD&D.
With this knowledge, I looked at the EGO scores in the module, and noticed they regularly exceed 12, which is the upper limit in OD&D. You are supposed to add up EGO, INT, and a point for each extraordinary ability for a total score ranging from 8-28 (what B/X calls a “willpower” score).
Anyway, the crucial bit in OD&D is this: Intelligence, which is a score ranging from 1-12 not only determines communicative ability, but also the number of powers a sword has. So by analyzing the powers listed for each sword in Castle Xyntillan, we can reverse-engineer its INT. The resulting scores are listed in the table below.
The Blade of Rel
Book states it speaks
See extended note below
Book lists INT of 8
Intelligence of magic swords in Castle Xyntillan
Special note on Onwards!: Looking at its power in question, it is a lawful blade that can paralyze chaotics. This suggests it is in fact a sword with a special purpose (see page 30 of OD&D volume 2). OD&D says such swords have the maximum intelligence and ego scores. However, Castle Xyntillan states the sword is “fairly dumb”. How you want to square that circle I will leave up to you. In my game, it was never encountered. But I think I would have run it as being telepathic, and just very thickheaded.
Assuming you are running Castle Xyntillan in Swords & Wizardry, a final question is what rules to use to handle egoism and control. You could just use the rules in OD&D, or those in B/X (which, note, are different). Me, I found both to be too involved to be used on the spot. I was not alone in this. Paul Siegel, of Wandering DMs, once wrote a nice two-part series of posts in which he looked at “EGO through the ages”, and crunched the numbers on the control check in OD&D to derive a simpler d20-based alternative. This, effectively, is the one I used in Hackbut, my own home-brew rules.
Determine your Will Modifier by adding your character’s Intelligence and Strength and then subtracting from this the sword’s Intelligence and Ego. Calculate your Wound Modifier based on this chart:
Full hit points
≥ Half hit points
< Half hit points
Roll d20 + Will Modifier + Wound Modifier >= 20 to retain control of the sword.
In case it isn’t obvious, I simply use the EGO score listed in Castle Xyntillan as the sword’s full willpower score for purposes of control checks.
When I started running Castle Xyntillan I had a copy of the PDF printed at my local print shop and wire bound. This is the copy I used at the table while running the game. I marked up the hell out of it, and the binding makes it lie nice and flat. I also used some post-it note book tabs to label each section of the castle, for easy flipping back and forth. And, as you can see here, I noted the intelligence and communicative ability of each sword in the treasury. Highly recommended.
That’s it. Hope this is of some use to folks out there.
Hendrik spends several weeks in the hospital to recover from the curse bestowed on him by the pendant he picked up in the previous expedition.
Meanwhile, Jürg experiments with his ring of invisibility, to ensure he fully grasps its functioning. He also asks around about The Beast, and learns a number of strange and troubling things about it.
Although the recent demise of several retainers have made hired hands reluctant to join the company, they do manage to find a few foolhardy enough to join them.
And so, on Wednesday, January 1st, 1528, the company find themselves once more at the gates of Castle Xyntillan, for what will turn out to be their very last expedition. They steel themselves, for they have resolved to go after the count and countess, both vampires, and among the most powerful of the remaining family members.
They head towards their suites, along the south wall. While passing by the grand entrance they spot two headless manservants, standing around, waiting. The company draw their missile weapons, take pot shots, and kill one almost immediately. They hit the other, who drops something, and stands around confused. They fire at him again, hit once more, and the servant turns and runs back into the castle. They decide not to pursue, but do go to see what they dropped. It turns out to be an invitation from the count and countess to the company to attend a dinner that night, in the grand dining hall, where they may come to an understanding.
They guffaw, and continue on their way, figuring it is better to confront vampires while the sun is still out.
At the suites, Claus climbs up to the balcony, ties off a rope, and drops it so that the remaining party can climb up easily. Next, Claus picks the lock to the countess’ suite with some trouble. Inside things appear all quiet. They enter, open curtains to let the sun in, and turn to the casket that is sitting on a stone altar underneath the window. It is pushed over, and crashes to the floor, spilling soil all over it. Otherwise, it appears to be empty.
On a hunch, they push against the slab atop the altar, and sure enough, it slides away to reveal a space holding a second casket. They pull it up, and carry it out onto the balcony. Jürg opens it, and a noxious cloud of dust puffs out into his face. He manages to cover his mouth and nose in time to stave off its lethal effects. Inside the casket lies the countess in her satins and silks. She immediately begins to smolder in the sunlight, awakes, and cries out in agony. Jürg chops at her eck with his axe but it bounces off her skin as if it is steel. Claus leaps out and plunges a stake straight into her chest. Hendrik fires off a bunch of magic missiles.
They make to repeat their devastating barrage of attacks, but she transforms into a cloud of gas, and floats back into the castle. They pursue, puzzled about what to do to stop her. Hendrik fires off more magic missiles. Claus fishes out a vial of holy water from his pack. Jürg removes his helmet and readies his horn of blasting. Meanwhile, the countess squeezes through the cracks around a door leading off from her suite, several swarms of vampire bats begin to emerge from the suite’s shadowy corners, and two skeleton guardsmen barge in through the suite entrance.
They manage to bash open the door, revealing a study. Hendrik’s protective magics keeps the conjured bat swarms at bay. Claus tries to spray the cloud with holy water from his flask, but fails. Jürg blows his horn and completely dissipates the cloud. They hear a hair raising scream recede into the distance. Meanwhile, one of the skeletons is cut down. The other flees, and so do the vampire bat swarms.
They search the study and the suite. Hendrik finds a curious worm-eaten tome amidst bookshelves full of decaying volumes. Jürg finds a necklace in the dresser, and also scoops up a bunch of cosmetics. In the casket, they discover a ruby ring.
Next, they head to the count’s suite.
They cross the balcony, and Claus once again picks the lock. Opening the door to a crack, they find all is quiet here as well. They enter, and immediately fling open the casket that sits on a couch. It is empty. They push the casket to the floor, and rip open the couch’s seating, but find nothing.
Continuing the hunt, they enter the count’s study and lab, but remember they more or less picked it clean during their hunt for the gelatinous cube all those expeditions ago. Impatient as ever, Jürg whips out his horn and blasts a horn through a wall of the lab. When the dust has settled, they see on the other side a bedroom with silver crosses on the walls, and yet another casket! They enter, open the casket, but it holds only grave dust. They hear a disembodied sigh, all the crosses blacken and crumble, and then the sounds of a person breathing heavily and dragging chains leave the room through its doorway. They give each other a look, shrug, and tip the casket’s contests on the floor. They find nothing.
Deciding this won’t get them to the count, they backtrack, and make their way to the vestibule, with a plan in mind.
As they leave the count’s suite they are faced with two more skeleton guardsmen who sound the alarm but are destroyed before help can arrive.
As they arrive in the vestibule, they hear the familiar sobbing of the ghost of James, the family butler. Not missing a beat, they immediately begin to tidy up the vestibule. James expresses his gratitude, and the company ask him about the count’s whereabouts. James tells them the count is inspecting the family treasures in the crusader’s tomb. They thank him, and head off to descend into the castle dungeons.
It just so happens Jürg had the presence of mind to bring the Heart of Roland with him. He holds it up, and the secret door behind the fresco slides open. They enter, gingerly avoiding the slicing blade trap in the entrance. They pass into the pool room, and open the door to the treasury. Sure enough, with his back to them, the count is standing there, inspecting the treasure hoard on the elevation in the center of the room.
The count has heard them enter, looks over his shoulder, and greets them, the company without a name. He tells them he wants to come to some agreement. After all, they have absconded with several of the family’s most valued heirlooms, and have destroyed several of its most powerful members. What would it take for the company to leave the castle and its inhabitants alone? They humor him for a moment, and then close for the attack.
Jürg drops his axe. Claus plunges a stake soaked in holy water and rubbed with garlic into the count’s chest. The vampire shrieks, punctuated with a comment about how he adores garlic. The count claws at Claus but fails to harm him. Jürg picks up his axe. Claus steps back from the count. The vampire howls like a wolf, and dark shapes begin to emerge from the room’s corners. He’s hit by a barrage of magic missiles, and explodes into a cloud of gas. Jürg grabs his horn, and Claus fishes out the sun medaillon.
They chase the cloud, which isn’t very fast, and it is blasted by the horn and hit by a bright ray of sunlight from the medaillon at the same time. They hear the count’s voice scream out “cuuurrrssseee yyyooouuu” and then recede into nothingness. The medaillon turns to slag. Everything is silent.
The company can almost not believe their luck. They book it out of the castle, which has gone even more eerily quiet than it usually is.
On the way out, as they pass the gatehouse, Jürg tells his companions to wait for a moment, and heads back into the garden. A moment later, he returns, holding in his hand a single perfect rose.
We fade to black. The end.
Well, that’s it for our play-through of Castle Xyntillan. We had decided this would be our final season, and fittingly, this last session of the run had the company face off against the count and countess, a confrontation that was long in the making.
Sure, we could play on, there is plenty of castle left to explore, but as most characters hav reached level 5 or 6, and have also amassed a frightening array of magic items, very few of the castle’s denizens pose any real threat to them anymore. Case in point: the ease with which Giscard and Maltricia were dispatched.
I rolled very few random encounters, and forgot about monster saves against damaging magics. I also at one point decided to skip actually having reinforcements appear because it would just delay the inevitable.
But they played smart as well. Leveraging James the butler was clever. I rolled for the count’s location randomly and came up with the treasure room in the crusader’s tomb. Just too perfect a place for the final showdown. They were agin lucky that they had brought the Heart of Roland, otherwise they may have been stuck.
The big question I was left with after this session was: vampires, how the hell do they work? How to play them well? There’s this rule about them turning into a gaseous cloud when they reach zero hit points and then returning to their casket to regenerate. But what if the casket is destroyed? And they can also turn into such a cloud at will, but why is that so advantageous? Maybe a lesser party would be stumped, but after a quick glance at the first edition dungeon masters guide I decided things like magic missile, as well as that horn of blasting, would affect the cloud. They also had protection magic to keep conjured creatures at bay. So all of that combined with some lucky initiative rolls made it so that they made quick work of the vampires. And maybe I wasn’t playing as viciously as I should have, but I also felt they had earned it. And honestly I don’t see how those vampires could have come out on top.
So fittingly, with those last small referee ruminations, I end this last session report. I might at some point blog a reflection on running the campaign and the module overall. But for now I will just say I am very happy I came across it at the time I did, just when we were about to hit a strange few years wherein circumstances would make it that I could referee more D&D than I have ever had up to this point. Castle Xyntillan also helped me experience what it is like to run a megadungeon campaign, and it is a revelation. I have never felt more like a player just like the rest of our group than while running this. So my hat’s off to Gabor Lux for creating it.
Ironically, after this I don’t think I will go back to running modules any time soon. We ran this game with homebrew rules, and now I want to push on to have my next campaign be homebrew everything, as Dave and Gary intended it in the beginning days. Castle Xyntillan has given me the confidence and the insight into what I do and don’t need when it comes to prep, and I think it is more doable than I had ever previously thought.
Session reports and other excerpts from that next campaign might appear here at some point. At the moment I am not sure when that might be. I hope these reports have been enjoyable and useful. In any case, writing them has been a great help in sorting out my learnings from our weekly sessions. For now, I will just thank you if you have read this far.
Casualties: Kjell, Agnes & Enie, frozen stiff by a reflected cone of cold); Jonas, sucked dry by a glittercloud.
The company decide to postpone their assault on the count and countess due to the absence of their heaviest hitter, Jürg. Instead, Hendrik wants to have another go at finding a lab that should be somewhere in the north-east part of the castle’s ground floor, the so-called Summer Wing.
They approach the grand entrance, and find yet another pile of dead adventurers, stripped of their belongings. They get rid of these in the usual manner, dumping them in the river, and make their way to the throne room.
As they make their way across the room towards the doors leading to the ballroom, they hear noises from the shooting gallery behind the east wall. They duck for cover and remain still. The noises disappear.
Thinking nothing further of it, they plug their ears with wax, and enter the ballroom. Another spectral dance is underway, and they spot the ghost of their lost comrade Niemir again, dancing away with a hopeless look in his eyes. They skirt the dancefloor and make their way towards the salon without issue.
Once safe from the dance’s influence they decide they do want to check the gallery. They open the secret door leading to it, and see an empty gallery. As they are about to turn around, doors open behind them, and masked murderers fire at them with crossbows. Claus immediately dives behind a couch and disappears. Hendrik hides behind his men, who form a shield wall in front of him. The attackers close for melee, and several go to try and find Claus.
The retainers fend of the murderers’ attacks. Claus is spotted, and the attackers make to stab him. Desperate, the murderers try to grab the heavy foot soldiers and drag them away. The retainers duck out of the way, and Hendrik whips out his wand of lightning. He zaps four of the murderers, killing them instantly. The remaining attackers flee. The company attempts to pursue but quickly lose sight of them.
The continue on their way in north-western direction, and arrive at the overlook suite.
They head west, and enter a room with once comfortable, now gutted seating. The ghost of a mountebank is focused on a floating orb in which several people appear to be trapped. The company cheerfully greet him, the ghost loses focus, and the orb drops to the floor, shattering. Its tiny inhabitants run off and disappear in various directions. The ghost is not pleased, obviously, but they do talk for a while. Then, Claus sneaks up behind him, and backstabs the ghost with his magically electrified sword, instantly destroying it.
They search the room but find nothing. The seating, however, looks very inviting, so they allow several retainers to take a load off and sit for a moments. The men at arms immediately begin to nod off. So, they wake them, and move on.
The room is connected with a passage leading west to the next room.
It’s another large space with a lot going on. Purple bubbles float through the air. Bones are scattered across the floor, and skulls line the mantle of a fireplace. The apparition of a sleeping lady, only dressed in a white nightgown, also floats through the air, apparently sleeping in a reverie. Several glitterclouds accompany her.
As the company observe the room from the hallway, the bones begin to assemble into… something… Meanwhile, the glitterclouds approach, flickering ominously.
Claus ducks into a corner and disappears, as usual. Hendrik and his men retreat, attempting to draw the clouds with them into a chokepoint. The clouds stop at the edge of the room. Hendrik takes his wand of cold and blasts them. The cone that shoots out hits the purple bubbles in the room, and is reflected back at Hendrik and his retainers. Kjell, Agnes and Enie are instantly killed, and Jonas is severely injured. The clouds make to attack. Hendrik and Jonas run away, but the clouds manage to suck the final heavy footman dry regardless.
As this is going on, Claus sneaks into the gallery beyond the room with the bubbles. He decides to study the nameplates on the portraits hanging here, careful not to look at the paintings themselves, and trying to remain hidden. The portraits do spot him, though, and attempt to engage him in various ways, none immediately harmful. Maximilian tries to trip him with chains, Hortensia offers flowers, Jerome asks Claus to hold out his hand, Merton asks about a book he has lost, Reynard offers to bless Claus in return for a little favor, and Eustace wails and moans about his ill fate.
Meanwhile, Hendrik patches himself up, casts invisibility, and goes to find Claus in the portrait gallery. He also makes Claus invisible, and they decide to begin their retreat.
They head back to the parlour where they encountered the ghost, and try a door leading west. This opens on a room with four beds which has been thoroughly ransacked. It smells vaguely of roses and is decorated with lewd frescoes. One image depicts a woman holding a pomegranate, which appears to be real. They pluck it, and it turns into a beating heart, while the frescoes disappear in a wash of blood.
They leave the room, and pass through the doors leading south. In this large empty hall they take the first door east, which leads to a small empty room with one door leading south.
The next room is dark, with a canopy of yellow eyes looking down from above. A blindfolded skeleton wearing a dark cloak sits on a chair, a curious-looking pendant around its neck. Claus stays behind while Hendrik enters to investigate, both still invisible.
The pendant is a shapeless lump of some sort of metal. It radiates magic and evil intent. Regardless, Hendrik can’t resist the temptation to pluck the thing from the skeleton’s neck, using a small sack to scoop it up. Hendrik immediately feels burdened by the heaviest of loads, unable to move. The skeleton’s head detaches, floats up into the air, cries something about “only the blind can see!” and drops to the ground.
A second skeleton enters the room carrying a platter with several pairs of eyes on it, and holding a spoon. The skeleton observes the floating necklace, but nothing else. It looks around confused, in search of someone to relieve of their eyes. Claus sneaks up, still invisible, backstabs the skeleton, instantly destroying it. The thief turns visible again.
Hendrik drops everting he carries, and finds he can move again, except very slowly. However much he likes to, he is unable to let go of the necklace. Claus picks up all of Hendrik’s gear, and they crawl out of the castle without further issue, luckily.
Back in town, Hendrik admits himself in the hospital, hoping the nuns will be able to cure him of the curse of the pendant in good time…
Every time I think we might be growing tired of this module, we have a session like this with a ton of weird and interesting rooms and fun and challenging situations that emerge from players unable to help themselves.
I also enjoy the fact that the players are finally beginning to take an interest in the portraits. They never really had an incentive it seems, and I was a bit heavy handed in the beginning with some of the hazardous ones. So they steered clear of them for the most part. But now they want to get an idea of how many Malévols are actually in the castle and how many they eliminated already.
The moment the cone of cold reflected off of the bubbles was a nice “oh fuck” occurrence. It’s always fun when a tried and true strategy suddenly backfires because of a strange new situation.
I’m also getting better at keeping combats dynamic and interesting, I think. The encounter with the masked murderers being a case in point. It was fun to try and ambush the players, and then once combat was engaged, this rule that I have sort of set for myself where I am not allowed to have monsters do the same thing two rounds in a row, also makes a big difference.
On the other hand, encounters with NPCs kind of drag lately. The ghost in this session being the case in point. I should get back to the approach where we roleplay an opening exchange, and then zoom out and establish stakes for the social encounter and resolve them with a reaction roll or two. Only go back to speaking in first person if it really adds something.
Our pace of sessions has slowed slightly due to various circumstances, but we are still playing, and the players are intent on properly finishing up the module somehow. So stay tuned for more!
We pick up where we left off last session. Upon their return to town, the company see Othmar, captain of the guard, along with 25 guardsmen posted outside their residence.
The company duck into an ally, and find a quiet spot to plan their approach. They see a peasant with a wheelbarrow passing by and grab him. They give the man a few coin with the promise of more, in return for going up to Othmar and asking what is going on. The man reluctantly assents, and heads up to the guards. Meanwhile, Jürg downs a potion of ESP, puts on his ring of invisibility, and sneaks up on Othmar and his men, miraculously avoiding making too much noise, despite wearing plate.
The peasant asks Othmar what he’s doing there. He is given a curt response and told to move along. Jürg picks up on some worries Othmar has about his secret identity being found out. Meanwhile, Ezio climbs up on a roof and readies his discus in case things start going south, and Claus makes his way unseen to their residence and climbs inside through a window.
Jürg takes off his ring, and approaches Othmar. The guards clasp their halberds in fear, and Othmar tells him to keep his distance. “You are under arrest for murdering the prefect, and acting as an agent of the evil Malévol. Please come along peacefully.” Jürg refuses, and the men are hesitant to apprehend him with force, knowing his mighty reputation.
Inside the residence, Claus heads to their treasure room, pops open a loose ceiling board, and starts stashing valuables up there, out of sight.
They end up debating things right then and there in the streets. And eventually, Jürg manages to convince the captain that he might be a secret agent just like him. Othmar, confused agrees to speak to Jürg privately in his residence. Jürg unlocks the front door, and leads Othmar into a sitting room, while the guardsmen wait outside, on high alert.
After more discussion, Othmar tells Jürg he will let him and his company off the hook if he agrees to aid the Royal Secret Police in putting the Malévols back in their place. Jürg is all like “what’s in it for me?” And suggest he is given the castle as a reward if he does manage to defeat its current rulers. Othmar responds that if they do manage such a feat, they would be the areas de facto ruler after all.
Othmar is clearly afraid of Jürg and his companions, who have developed a reputation of being ruthless killers capable of incredible feats. Furthermore, they killed the prefect by gifting the man some kind of cursed item (even though Jürg insists it was a misunderstanding). Othmar would prefer to not end up the same way. So they leave it at that. Jürg, surprised at how things have gone, bids Othmar and the guards farewell, and lets the company back into their residence. They are confident the guard won’t give them much trouble anymore.
Claus and Ezio celebrate their safe return to town by spending the week drinking and partying. Ezio emerges from the bender with a tattoo of a rose and a slogan in latin that would be bad-ass if it were’nt for the spelling mistake. But Ezio doesn’t know that.
Jürg has the heart in a box identified by Ben Mordechai. It turns out to be the fabled Heart of Roland, a legendary Malévol heirloom with several remarkable magical properties.
Jürg also spends more than a bit of time in The Tap, buying rounds and picking people’s brains about the Malévol family and who might be in charge of things. He gets a pretty good sense of some of the most powerful family members, most of whom they have met at least once. Clearly, they need to focus their efforts on the count and countess. Although The Beast might also stand in the way of their overtaking the castle.
The company begin planning their attack on the count and countess, debating the most viable strategy against not one but two vampires. Claus visits the church and is provided by Father Bernard with some knowledge related to vampire hunting, and suitable equipment to boot: garlic, mirror, stakes, holy water. He leaves a little more confident that they might be able to pull off this crazy scheme…
We are finally back at it after a spell of no gaming due to various personal circumstances.
This was a bit of a strange session because we ended on a cliffhanger last time, and we started later than normal this time around. By the time the scene with the guard was resolved very little time was left on the clock for proper dungeon delving, so we decided to hold off on that until next time. As a result, we had an atypical session of what the kids these days call “RP” I believe.
Running the confrontation with Othmar was interesting. I relied heavily on reaction checks throughout. I could have perhaps done a bit more explicit stakes setting as things progressed. But Jürg’s ESP ability actually made it easier to be transparent about NPC motivations than it would otherwise be. As the debate proceeded I think both the NPC and the referee realized that they would not be able to do anything about Jürg and his companions because they have become simply too damn powerful. I did not feel like Othmar would make a suicidal attempt at taking them in regardless. So, the whole thing just kind of fizzled out. Maybe a bit anticlimactic, but also true to the situation at hand. Furthermore, leveraging the combination of invisibility and ESP was just smart play, and I like rewarding those sorts of schemes.
Will they indeed go head to head with the count and countess? The endgame continues! If they do manage to take the vampires out, that might a good place to call it. I don’t think we want to play out the company smoking out the Malévols until every single one has been purged from the castle. But maybe we do? Or at least we might also see what happens when the company confront The Beast? I wonder what my players’ expectations are. In any case, the castle might turn out to be a less desirable residence than they expect it to be. It is full-on haunted and has a will of his own. That much should be clear by now.
Jürg haggles with Mordechai over an unopened parcel addressed to Vincent-Godefroy Malévol and ends up acquiring it in exchange for 550 GP. When he opens it he finds it contains a high-quality powdered gentleman’s wig.
Jürg also has a run-in with some shady types in The Tap who are looking for a book called Libellus de Alchimia. They explain it was penned by the famed Albertus Magnus, can be used to dispelled summoned creatures, and must be in one of Xyntillan’s numerous laboratory libraries. Having insulted his intelligence, Jürg later waits for them in an alley, puts on his ring of invisibility, and kicks the living daylights out of them.
Hendrik studies one of the tomes he stole from Aristide’s laboratory, titled Conjuration & Invocation, and learns that it holds several extremely powerful spells.
The company decide it is time to take their shot at acquiring that mysterious heart they’ve heard so much about. They burn incense at the reliquary, and Jürg has a vision of passing through the upper library, then a lounge with snarling heads, entering a hallway where it is very cold, and finally arriving in a hunting lodge.
They enter through the grand entrance, swiftly make their way up to the 2nd floor of the gothic wing, and are just about to enter the library when they hear a bone chilling voice from back the way they came saying something about “they went that way”. They stop, turn, form up and wait. A large group of druids led by a man who must be Runcius, wearing crown shaped like thorns, enters their torchlight. Runcius wants the staff of the deep woods, plus a human sacrifice. Before anyone can do anything, Jürg blasts them with his horn. At the same time, Hendrik whips out and lets loose with his wand of cold. All of Runcius’s men are instantly killed. The leader draws a bone dagger and attacks Hendrik, grabbing the staff and stabbing away while growling “I’ll perform that sacrifice right here and now!” Hendrik is hurt but not killed. Claus stabs him in the back. Jürg chops him with his axe. The druid cries out in pain and anger and shimmers out of existence.
The company take a moment to catch their breath, and speculate about the degree to which Runcius has been definitively defeated. Then, they continue on their way.
They make it up to the third floor library, pass through the lounge with those snarling heads, and enter a door to the north-east. In the hallway beyond, they try the first door east, from which they hear faint sounds of music. It opens on a small balcony littered with broken musical instruments, a wardrobe along one side. Jürg steps onto the balcony, which creaks ominously. He opens the wardrobe and the corpse of a conductor comes rolling out, followed by a swarm of rats. Non-plussed, Jürg steps back into the hallway, and dispatches the vicious rodents without breaking a sweat.
They continue on their way.
The door at the end of the hallway, heading north, leads to a bedroom that has been torn to shreds. They hear chittering and occasional flapping. Up in the rafters they see a large sack sitting on a beam. A ladder stands against the beam. Claus shoots at the sack, hits it, but it does not fall from the beam.
Jürg climbs up the ladder and shimmies along the beam towards the sack. It turns out to be the corpse of a matron, crawling with vampire bats. She is wearing a remarkable ring. So Jürg takes his axe and chops off her hand at the wrist. It drops to the ground. The bats, disturbed, fly up from the corpse and attack. Jürg nearly falls from the beam but manages to hold on. He makes it down the ladder while fending off attacks from bats. The things attach themselves to several party members and proceed to suck at the wounds. But eventually most are destroyed and the remainder flee.
They turn their attention to the next door, leading south-west.
Hendrik uses a clairvoyance spell to see behind the door. It is poorly illuminated so he can only make out faint outlines. They open the door, and find a room hung with rotting animal skins, and a large wooden throne. The sounds of metallic clinking come from the rafters. There is also the sound of rattling from behind the northern wood panel wall. Hendrik uses his remote viewing to see what is above them, and sees seven huntsmen swinging by their legs, their swords softly beating against their chainmail vests.
Jürg discovers a secret door in the wood paneling, opens it, and is showered with bones. A disembodied animal roar emits and dies away. The door reveals a cell with broken chains. Whoever or whatever was held here has clearly escaped…
They take the next door south-west.
It turns out to be the hunting lodge of Jürg’s vision. There’s a long table, rustic chairs, and tankards. The walls are decorated with trophies and tapestries. A large moldy tapestry covers the entirety of the north wall. It depicts seven huntsmen led by a galant figure.
When the company enter, the tankards lift up and slam the table. A loud “huzzah!” rings out. Jürg instantly responds with a “huzzah” of his own. All is quiet again.
Peeking behind the tapestry, Jürg sees a passage scattered with detritus. Vines growing in the passage come alive and attack him. In the ensuing confusion, Finnian attacks Jürg from behind, trying to grab his horn of blasting. Several retainers wrestle him to the ground while Jürg continues to fight the vines. Finnian manages to escape and runs from the room. Claus strikes him with an arrow in the back, but does not kill him. For a moment, Finnian transforms into a disgusting grey rubbery humanoid before disappearing.
The vines are destroyed without too much trouble. They search the passage, and find a lead box, vibrating with something rhythmically beating inside. At the end of the passage is the mural of a doorway, strongly radiating with magic.
The company decide it is time to head back. They manage to escape the castle without further trouble, and travel back to town without issue.
When they arrive at their residences, they see Othmar, captain of the guard along with a sizable detachment posting outside their door, waiting for them…
Our 40th session! A rather momentous occasion I would say. Things continue to hurtle towards a finale of some sort almost of its own accord.
A few quick thoughts. I was probably a little too lenient with the first round of combat with Runcius. I should have allowed for missile fire from the druids before they were blasted by Jürg’s horn and Hendrik’s wand. Or at least, I should have rolled for initiative.
The secret cell in Hubert’s room is mentioned in the key but missing from the map. That there me off for a moment, and I ultimately decided to simply add it by hand to the player’s map on an ad-hoc basis.
We ended on a cliffhanger this time around. I thought I would change it up for once. Players have gotten very used to the fact that town is a safe haven. But when they choose to send a lethal item to the prefect, there has to be consequences. So when we pick up next session, we will do a cold open on the confrontation with Othmar and the guard, and take it from there.
The Manual of Intelligence (formerly The Tome of Learning)
Ring of invisibility
Tomes “Conjuration & Invocation” and “Ephemerality”
Casualties: Julia, sucked dry by a glittercloud.
An agent of the royal mail delivers a set of silk gloves, care of Judges Guild.
Heavy footman Finnian returns to town, eager to rejoin the company for the next expedition. No word of Alyssia though…
Poor porter Noel is found one morning, hanging by his right leg from a tree near the company’s residences. His entrails have been arranged in a circle around the tree. A note is stabbed to his chest with a bone dagger. Written in blood, it reads: “Leave the staff of the deep woods at the indoornesse entrance before the next new moon. This is your final warning”.
A tax agent of the town prefect, Richard Justin Saint-Égréve, visits the company accompanied by Othmar, captain of the guard, and a couple of guardsmen. The tax agent inquires after the treasure the company have been liberating from the castle. Does the company realize the prefect was appointed by the current head of the Malévol family, count Jean-Giscard, who resides in the Chamrousse summer palace? Furthermore, do they realize any treasure recovered remains property of the count, and should therefore be presented to the prefect for safe-keeping?
Jurg hands the prefect a box that holds a cursed silver cross. “Here you go, sir, as a token of our appreciation. Please send that Malévol our best.”
The tax officer takes the box, “it’s a start, we’ll hand it over to the prefect” and leaves. Othmar leaves as well, grumbling all the way.
They also try to open the mysteriously rattling mahogany box they took from Aristide’s upper laboratory. Magic weapons, fire, knock spells, etc. Nothing seems to do the trick.
Hendrik gets the wand of lightning recharged, and scribes another knock scroll.
They do the rounds of the local bars, and find number of new retainers foolhardy enough to accompany them.
The company decide they want to continue their pillaging of the late Aristide’s lab. This time, they will try their hand at the lower level. They enter through the rose garden again, swiftly make their way to the upstairs hallway with the eerie singing, head into the wax works room, through the hole in that was blasted in the wall there, into the room with the defunct coils, and through the large double doors into the upstairs lab which they so expertly stripped of its valuables during the previous expedition.
They head down the spiral staircase. At the bottom they see demijohns with suspicious-looking liquids inside. They head into the lab proper, and see a vast array of alchemical equipment, materials, and huge metal vats wafting acrid vapors. A large book sits on a lecture stand facing a large dark mirror. Shelves hold many books. At the far end there is a hallway that dead ends, and along the south wall are four closet doors.
Hendrik collects a pair of magical books from the shelves. Jürg takes a moment to study the Castle Xyntillan guide book, but learns nothing of relevance. Meanwhile, Hendrik, intrigued by the tome near the mirror, can’t resist the temptation to peruse it, and is instantly struck by a feeblemind spell. He is reduced to 1 INT idiocy, and has lost all his magical capabilities.
For a moment, the company do not know what to do next. Then, they decide to press on anyway. Hendrik may be dumb as a rock now, but he can still hit stuff with a stick, and is tougher than one might at first think.
Jürg proceeds to inspect the closets, one by one, working from west to east.
The first contains what turns out to be a crystallized gelatinous cube, lots of detritus floating in mid-air. Jürg blasts it with his horn. The cube turns out not to have held anything of value. The closet is otherwise empty. Suspicious, Jürg inspect the rear wall, and indeed, it turns out to be a secret doorway.
Jürg opens the door a tiny bit and peers inside. He sees a large number of skulls float about. Not one for subtlety, Jürg goes “hello!” and opens the door all the way. He tries to chat up the skulls, and the things are stupid enough to reveal they are guarding a ring of some sort. When he tries to bullshit them into leaving, however, they turn vicious, and attack. Before they can do much harm, Jürg blasts them with his horn, and swats the remainder from the air. Only a single skull manages to escape into the castle’s dark hallways.
Jürg then enters the room and looks for the ring that was mentioned by the skulls, but does not find anything. Maybe it’s invisible, he thinks to himself, so he goes down on hands and knees and feels around and sure enough he comes across what must be a ring, entirely invisible.
The next door they open reveals a huge mouth on the far wall. It licks its lips and whispers things about revealing secrets in exchange for food. Jürg tosses one of the defeated floating skulls at it. The mouth greedily gobbles it up, but demands more. Jürg goes “nah” and shuts the door.
The third door opens on a closet holding variety of furniture covered by sheets. When Jürg enters to search for valuables, four huge corpse birds with oily feathers and long sharp beaks emerge from the shadows. They peck at his chest. Jürg once again whips out his horn and blast the creatures, but they continue to try and attack. One manages to dent Jürg’s breast plate, but he manages to cut them down without too much trouble.
The final door opens on a collection of stuffed mimics, and a pedestal with a ledger on it. The company don’t trust it, and expect the book must be a live mimic. So Jürg enters the closet and makes to tip over the pedestal with his axe. But the pedestal itself comes to life and attacks. Again, Jürg dispatches it without too much trouble.
As they make up their minds about what to do next, they hear footsteps and voices from the top of the spiral stairs coming their way. They pile into the east most closet to hide. They hear a large group enter the room, and begin to search it. Soon enough, an undead lord opens their door. Jürg was ready with his axe, and cuts the thing down right away. However, there are 14 more lords to contend with. They demand the company leave the castle and never return, or else. The company decide to humor them, and begin to head for the exit. The lords follow in a column. Then, Jürg suddenly whips around and blast them with his horn. Many perks outright. Two lords were carrying large flasks containing glitterclouds, and one was holding a sack of hands. The containers burst open and the monsters attack, as do the few remaining lords.
What follows is quite the fight. Jürg is hypnotized by a glitterclouds. Julia is sucked dry by another cloud. The hand swam begins to chortle Jürg. Hendrik tries to get the fighting man to snap out of it. He does, and proceeds to dispatch the hands crawling all over him. Hendrik raises his staff and charges the glitterclouds. Jürg gets rid of the hands and follows Hendrik. The remaining lords follow and begin to stab the fighter and magic-user in the back. The retainers in turn follow, and stab the lords in the back. The tide is turned, and the company prevails.
They catch their breath for a moment. Spooked, they decide to make sure they have a quick way of getting out of the castle. They use the horn to blast a hole in the outer wall. They go back and search that corridor that dead-ends, and find a bricked-up doorway. They decide they’ve done enough blasting for one day. They collect some of the alchemical materials. They also mess with one of the demijohns at a safe distance, and it explodes in an acrid cloud of smoke. With that, they leave, and safely make it back to town in one piece.
An eventful session, even though they have explored just one room. But what a room it was.
The feeblemind at the beginning of the session really caught the players off guard a little. I softened the blow a little bit by suggesting that there might be a way for Hendrik to recover. And so the player leaned into the being dumb bit, and had a fun session anyway. I also commend them for being foolhardy enough to just read the damn book and not play it safe. Safe is boring.
Again, I have some ideas in hindsight about what I could have done differently in the big fight in the end. I could have, for example, had the lords try and grab a character and toss them in those vats of acid. That would have been fun. In general it’s easy to forget what’s in the environment when you get in the rhythm of running a fight.
I continue to find the glitterclouds awkward to run — their blood suck attack is a ranged attack, which doesn’t feel quite right to me. And then there is this hypnotize power they can use once per day, but it’s not clear what that triggers off of. I guess I just lack experience with this kind of monster.
There were more than a few fun interactions with monsters and NPCs. In general, if there is an opportunity for players to chat with monsters, I should always take it. It adds a little spice to the proceedings.
Jürg really is incredibly powerful with the combination of that horn of blasting and his crusader’s two-handed axe. But it’s well-earned, and I do feel like the whole game has started to hit overdrive and we are zipping towards what I hope will be a satisfying finale of the campaign.
And yes, all the way at the top of the session, during downtime, Jürg did indeed hand the prefect’s agents a cross bearing a lethal curse. I’m sure that won’t have any consequences down the line…